by Time Sensitive
On the latest episode of Time Sensitive podcast, produced by the New York-based “conscious entertainment” media company The Slowdown, co-host Spencer Bailey speaks with New York Times architecture critic Michael Kimmelman. The two discuss Kimmelman’s lesser-known talents as a pianist; his 30-plus years writing at The New York Times(he started working at the paper as its chief art critic in 1990, a post he held until 2007, when he relocated to Berlin as the “Abroad” columnist for four years); and his goal as architecture critic to build a greater discourse around designing cities that are better, healthier, and simply fairer for all.
Highlights from the episode include:
On the importance of history: “My original interest in history was because I didn’t really feel I could understand the world now, social and political affairs, without understanding that context, without having not just historical knowledge, but some tools to interpret history and to understand how to extract from history the bits of information that would be useful to understanding today.”
On piano playing: “I think another reason I returned to playing the piano and to performing was because I thought—and I don’t mean this in some weird, altruistic way—if I’m going to write as a critic, it’s a very useful thing to put myself out there in a situation where I am subject to other people’s judgements.”
On creative acts: “Anybody involved in creative endeavor, if they’re good at it and if they’re really doing it seriously, is putting their heart and soul on the line. And, as a writer, one needs to bear that in mind. Especially if you’re wielding a giant stick, like I am by virtue of the publication I work for.
Read on >>>> Source: ArchDaily https://www.archdaily.com/922557/architecture-critic-michael-kimmelman-on-his-socially-conscious-work-as-a-writer-activist